| 单词 | 音阶 |
| 释义 | 〔Tyner〕American jazz pianist who introduced complex harmonies, scales, and African rhythms into American jazz, especially during his time with John Coltrane's quartet (1960-1965).泰纳，麦考依：美国爵士乐钢琴家，他把复杂的和声、音阶和非洲韵律引入美国爵士乐，特别是在与约翰·考尔特兰尼合作的四重奏期间（1960年-1965年）〔sixth〕The sixth tone of a scale; the submediant.第六音；音阶的第六音〔bass〕The lowest part in vocal or instrumental part music.低音部分：音调或乐器的部分音阶中最低的部分〔major〕Designating a scale or mode having half steps between the third and fourth and the seventh and eighth degrees.长音阶的：表示在第三和第四以及第七和第八度之间产有半拍的音阶或调式的〔gamut〕Middle English [the musical scale] 中古英语 [音阶] 〔solfeggio〕Use of the sol-fa syllables to note the tones of the scale; solmization.视唱，唱名法：使用唱名来记录音阶的音调；唱名唱法〔vibrato〕A tremulous or pulsating effect produced in an instrumental or vocal tone by barely perceptible minute and rapid variations in pitch.颤音：一种颤动或振动效果，由可察觉的微小迅速的音阶变化在声音或乐器的调子中产生的〔pentatonic〕Of or using only five tones, especially the first, second, third, fifth, and sixth tones of a diatonic scale.五音阶的：只用或包括五个音阶的，尤其指所有音阶中的第一、二、三、五、六音〔gamut〕ut [first note of the lowest hexachord] after ut , first word in a Latin hymn to Saint John the Baptist, the initial syllables of successive lines of which were sung to the notes of an ascending scale CDEFGA: Ut queant laxis re sonare fibris Mi ra gestorum fa muli tuorum, Sol ve polluti la bii reatum, Sancte Iohannes ut [最低六度音阶的第一个音符] 源自 ut ，施洗者圣约翰拉丁文赞歌中的第一个单词，按上升音阶CDEFGA所演唱的一系列音符中的首字母： 音阶的第一音 queant laxis 音阶的第二音 sonare fibris 音阶的第三音 ra gestorum 音阶的第四音 muli tuorum 音阶的第五音 ve polluti 音阶的第六音 bii reatum，萨克特·因汉尼斯 〔solmization〕sol [note of the scale] from Medieval Latin * see gamut sol [音阶上的音符] 源自 中世纪拉丁语 * 参见 gamut〔third〕A tone separated by three degrees from a given tone, especially the third tone of a scale.第三音：距给定音三度的音调，特指音阶中第三个音〔progression〕A series of repetitions of a phrase, each in a new position on the scale.和谐进行：分间节的重复系列，每一系列在音阶上有新的位置〔re〕The second tone of the diatonic scale in solfeggio.ray音：音名中自然间阶的第二个音阶〔flat〕A note that is lowered a half step.降半音：降低了半个音阶的音符〔solmization〕The act or a system of using syllables, such asdo, re, and mi, to represent the tones of the scale. 音名唱法：使用唱名，如do（哆）、re（来） 及 mi（咪） 等来代表音阶上的音符的行为或系统 〔gamut〕gamma [lowest note of the medieval scale] from Greek gamma [gamma] * see gamma gamma [中世纪音阶中最低的音符] 源自 希腊语 gamma [伽马] * 参见 gamma〔tonality〕A system or an arrangement of seven tones built on a tonic key.音调；声调：建立在主音键上的七个音阶的系统或组合〔subdominant〕The fourth tone of a diatonic scale, next below the dominant.下属音：音附的第四音极，在属音（音阶的第五音之下）〔passagework〕A portion of a composition of little thematic or structural importance that permits a performer to make a display of technique, especially in the rapid execution of scales and arpeggios:经过段：音乐作品中便于演奏者发挥演奏技巧的对于主旋律和结构无重大意义的段子，尤指音阶和琶音的演奏：〔glissando〕A rapid slide through a series of consecutive tones in a scalelike passage.滑奏，滑奏演奏法：在音阶升降相似的一节乐曲中从一系列连贯的音中的快速滑动〔subtonic〕The seventh tone of a diatonic scale, immediately below the tonic.下主音：音阶中的第七个音，紧临主音之下〔flat〕Being one half step lower than the corresponding natural key:降半音的：比相应的正常调低半个音阶的：〔mode〕Any of certain fixed arrangements of the diatonic tones of an octave, as the major and minor scales of Western music.调式：任何特定的一种八度音音程的固定组合，作为西方音乐的主音阶和次音阶〔mediant〕The third tone in a diatonic musical scale, determining the major or minor quality of the tonic chord.中音：大小音调中的第三音阶，其决定注音和弦的主音色或次音色〔minor〕Based on a minor scale:基于小调的，短音阶的：基于小调音阶之上的：〔solmization〕mi [note of the scale] from Medieval Latin * see gamut mi [音阶上的音符] 源自 中世纪拉丁语 * 参见 gamut |
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